Artist statement

A practice built through attention, weather, and repeated looking.

My paintings grow out of direct observation and the slower discipline of staying with a place long enough for its structure, atmosphere, and movement to become clear.

I move between outdoor studies, portrait work, and studio-led compositions, but the center of the practice stays the same: attention to light, a respect for pace, and a belief that painting can remain quiet without becoming passive.

Working method

Observation first, refinement second.

I treat each painting as a conversation between immediate experience and later editing. Outdoor studies help me understand how light shifts across a form, how distance compresses color, and how atmosphere can alter the emotional weight of a scene in only a few minutes.

Back in the studio, that information is not copied literally. It is reorganized. I keep the directness of the first encounter, but I also allow structure, memory, and rhythm to guide what remains on the surface. The result is not reportage. It is a slower, distilled version of what the eye first noticed.

Plein air approach

Painting outside keeps the work honest.

Plein air painting is where I test my decisions against time, weather, and changing conditions. It asks for speed, but also clarity: what matters in this moment, what can be left out, and what must be held onto before the light disappears.

I begin by locating the strongest value relationship in the scene.
I work from large shapes first so the painting keeps its structure.
I let wind, heat, sound, and movement influence the final rhythm of the surface.
I return to the studio with notes, studies, and unresolved questions rather than fixed answers.

Upcoming sessions

Outdoor painting schedule.

These sessions are shared in a small-group format. Dates and exact meeting points are confirmed directly by enquiry.

Early morning

Pune riverside plein air walk

Light study session focused on value grouping, quick block-ins, and editing the scene under time pressure.

4 to 6 participants

Weekend afternoon

Old city street sketch and paint

Urban observation session built around architectural rhythm, moving figures, and simplified perspective.

Beginner-friendly with guidance

By monthly notice

Longer-format landscape study

Extended painting meet focused on color temperature shifts, atmosphere, and resolving a study into a finished panel.

Location shared on confirmation

Training and enquiries

Book a training session or ask about learning with me.

If you are looking for one-to-one guidance, a small-group plein air session, or help building a stronger painting practice, send a short note with your current level, preferred format, and what you want to focus on.

Book a training session Send an enquiry